on Dance, a Pole Dance, and an outline for a Brand Dance

((

This one is anxious to get through these training topics that seem, to boy, to be exercises in composition of soft-core porn. Boy dearly hopes that’s not really the main point of being a kajirus–certainly thinks he knows his Master better than that. Not that boy doesn’t enjoy pleasing his Master in that way–he certainly does–but boy thinks there’s just so much more he wants to do for his Master.

And dance isn’t exactly boy’s strong suit, going in. Boy can watch ballet, for example, and look at the pretty costumes and listen appreciatively to the music, but all the jumping about simply doesn’t stimulate anything like an aesthetic experience for boy.

Then there’s the RP side of this. Boy gathers that Gorean “dance” involves no animations, and that “watching dance” amounts to reading chat emotes. And boy supposes that’s inevitable, given the level of avatar control available. But by this “written dance” business, boy is reminded of the old saw, “writing about music is like dancing about architecture.” Dance as an aesthetic must surely be the product of some synaesthesia of music and movement, which a text can at best describe. The same is true of sex, of course, and all the other emoting RP activities, so maybe boy is just being bitchy.

))

Pole Dance

From the scrolls (Blood Brothers of Gor, Page 39), it seems that the main theme of the pole dance is to submit to the pole as if it were the Master… not just the Master’s sex organ, though that, too, of course. ((The idea apparently being that the Master will get all hot and bothered as a result of watching the pole getting it on in his stead.)) Note that the dancer is intended to *pleasure* the pole, not so much (or at least not only) to derive pleasure from it. Although these themes seem evident, boy discerns no evident prescribed storyline to the book dance other than a thumb-suckingly redundant exposition of the mysteries of dom/sub; the example Pole Dance scroll replaces all that with a crudely prurient “arc” paralleling coitus; “so original,” boy thinks.

/me steps slowly to the pole and kneels respectfully before it.

/tower

/me’s arms lift, palms open and begging, extending fully outward. The boy’s fingertips come together behind the pole, then gently caress the pole, and his head tilts side-to-side, tentatively courting the pole.

((What follows is a “blow by blow” description and emotional projection of the brief dance anims in the pole this one bought for his Master. Boy hopes to resequence these into some coherent “storyline” of courtship, submission, sex, and celebration.))

/PD2-1a

/me stands astride the pole, blessing his small sex with the hard metal shaft as he lifts his thin arms exuberantly, then grasps the pole and swings around it, head back with abandon to the joy of the pole’s touch.

/PD2-2

/me grasps the pole in front with both hands and swings, spinning himself down with legs fully extended, leveraging the pole tight against his groin for support.

/PD2-3

/me spins around, the pole to his back, and tilts forward, pushing his tight butt cheeks around the pole, brushing it against his hot boy hole, then his little sack, then the base of his tiny cock as he falls forward to his knees. His hands take the fall then bounce his slim frame back up, then grip the pole behind his head as he repeats the lurid move.

/PD3

/me slowly rides the shaft from behind, bowing gracefully with the pole between his butt cheeks, then lifting his arms behind the pole and rising exultantly.

/PD4

/me gently kisses the pole, then slides a thin hand down its cold length it slips between his parted legs, cold metal against his burning crotch.

/PD4-1

/me’s slide turns frantic as his sex is enflamed: he grips the pole and throws his small body against it, catching it full force on his crotch. His head lolls back with lust for the icy shaft that rides through his crotch as he slides to the ground.

/PD6

/me teases the pole with his tight butt, sliding slowly down and rubbing his smooth back along the slippery pole, arms cast above his head and grasping the pole from behind, thin chest stretched in offering.

/PD7

/me sits subservient before the pole, and twists his wiry legs around the pole as his only support as he leans back and extends one leg straight up the pole, toes pointed in homage to the erect shaft.

/PD8

/me casts his face to the floor in submission to the pole that slides between his legs as he rocks slowly up and down. The metal rod fully between his splayed legs, it repeatedly takes him from behind with the boy’s fluid strokes.

/PD9

/me stares adoringly at the pole as he coyly buffs the shiny pole with his smooth thigh as he slides up and down on flexed knee.

/PD10

/me openly worships the pole, arms up in adoration, sliding his thin chest down the pole, sinking as his knees spread full wide till his sex touches the rough floor.

/PD11

/me’s eyes cast chastely down, the boy begs to please the pole: standing on point with the pole between his cheeks and arms overhead behind the pole, he flexes fluidly between squatting and standing, his body a sinuous wave seducing the pole.

/PD12

/me worships the pole before him, kneeling, bending full back till his hair brushes the rough ground. He rocks forward throwing his hands up in pure adoration. His eyes gaze longingly at the shaft he now grips, pulling his crotch against it and sliding back down to his knees.

/PD13 (should follow either PD12 or PD14)
/me now wantonly strokes the pole with his crotch, staring with open lust as he slides the pole between his legs, as if to further stiffen the metal erection.

/PD14

/me lovingly embraces the pole with open arms, kisses it and casts his head back with abandon as he slides down. Sinking to his knees, he returns his eyes to the pole and lifts his arms in worship of the shaft.

/Wide Spin

/me spins slowly, a bird in joyous flight around the pole, one foot tucked high as the other braces against the pole, one arm open and spread wide as the other holds the pole to support the spinning boy.

(CW Spin, much the same as Wide Spin except in the opposite direction and with a knee around the pole for additional support.

(Drop and Rise, much like PD4-1 but slower, not as lusty)

/Front Bend

/me slides down the pole between his tight butt cheeks, his arms behind the pole over head, then throws his arms back through his spread knees and grasps the pole behind him, forcing his head to the hard ground and his ass high and open wide to the pole.
Brand Dance (outline)

((motivated in part by boy’s desire to know what to do for the branding ceremony which must happen very soon, and for which boy knows next to nothing. The brand dance being only mentioned in the books, boy’s reference is Luther’s scroll #46, which states: “The beginning phases of the dance may concern the girl’s fears about being branded. The middle phases will depict the actual branding and the latter phases will show the girl accepting and admiring her new brand.” To make sense as a dance, this must be the kajirus *remembering* or *imagining*–boy’s case–the branding ceremony… it’s a dance, not the ceremony itself–which has a meta-message: the *idea* of the branding is what motivates the dance, so evidently it’s something much on the mind of the dancer.))

• Start with tense movement, almost jerky, conveying fearful, reluctant obedience.
• Some “approach/avoidance” motion (and, unavoidably, introspective) emotes to convey that boy’s fear is not of the pain itself–a pain he wants to offer his Master as a gift–but fear of boy’s weakness causing him to cry out or otherwise less than perfectly honor his Master.
• Branding process itself. Motions easy to describe here… hands twisting overhead, one leg frozen ((must refresh memory which gets bound for the brand… left?)), one moving wildly at first, then accepting and wanting the brand. ((maybe that’s the angle: just the discovery that this is something boy is giving his Master: an opportunity to serve, with intense, searing pain the offering.))
• Body frozen… dancing with hand and head motions only, and slow-motion, as the brand occurs. emotes about eyes fixed on boy’s Master, giving with love and devotion.
• The unbinding: *gradual* speed-up of motion as boy is released. This should be a graceful unfolding, not anything that seems like an escape.
• Celebratory twirling about (however one “twirls” with masculinity), first relief that the boy didn’t fail to honor his Master with his behavior.
• Ending with joyous recognition of the brand as symbol of the so-cherished ownership. presumably broad, open movements here.